A Lush Knit


I’m a bit late to the party with this I know, but I’ve wanted to knit the Lush cardigan by Tin Can Knits for ages, and I’ve finally got round to it at last. If you’re a knitter then you’ve probably seen this design; it’s extremely popular on Ravelry and Pinterest – you may even have knitted one yourself. There are certainly plenty of them about!


The construction is fabulous: first you knit an intricate (although actually quite simple) lace strip which is the cardigan’s signature yoke. It stretches all the way across the back and is a real showpiece. Stitches are picked up along the top edge for the neckband – this was mine just after I’d cast off the collar (much in need of further blocking).



The next stage is to pick up stitches along the bottom edge for the body. This top-down construction means you can try it on as you go, make adjustments and get a really clear idea of the finished result. Here I am checking out the body length having just finished the waist shaping (excuse the poor selfie).



As it turned out I decided the body was long enough about an inch before the 12.5 inches specified in the pattern, so the option to try on was brilliant for me. All that remains now is to knit the sleeves, which are picked up at the armholes and worked in the round, and then finally the front bands, which again are picked up. So, no sewing up! I’m aiming to get it all done in time for my annual pilgrimage to Central Europe – Gdansk in Poland this year – on 17th October. Sounds easy you might think, but in my experience sleeves always take waaaay longer than you think they’re going to. So we shall see…


Apologies for the back-to-front nature of this post, but I’ll end with a word about my chosen yarn. It’s one that needs no introduction really. It’s Debbie Bliss Rialto DK, which is a smooth and smooshy 100% merino. The quality is excellent, but it was the colour that sold it to me really, a gorgeous mellow mustard. If all goes well then I can see an autumn wardrobe forming around this containing lots of teal blue and deep burgundy. But I’d better get on and finish the knitting first!



Book review: The Days of Abandonment by Elena Ferrante

The Days of Abandonment

I love to read, and don’t get nearly enough time to do it. I’ve made a pact with myself going forward to try and review the books I read; it’s all too easy to forget that reading isn’t just about turning the pages and reaching the end, it’s about digesting and reflecting on what you’ve read, and sometimes I neglect this stage in my eagerness to add another book to my ‘finished’ log and put it on the shelf, ready to start the next one.


So, to kick off, here’s my review of THE DAYS OF ABANDONMENT by Elena Ferrante:

The Days of Abandonment is the second novel by daring Italian writer Elena Ferrante. It follows the decline into madness of Olga, whose husband casually discards her for a younger woman, leaving her angry, distracted and unbalanced. It’s a no-holds-barred account, full of vulgar language and searing rants, but also beautiful reflections on life, ambition and love. She may be losing her mind but Olga is conscious of everything she’s experiencing, like a curious, bemused observer. This results in some painfully honest descriptions of everything from bad mothering to what must be one of fiction’s most humiliating and least erotic sexual encounters ever! The crux of the novel is a kind of Escher-like nightmare where, imprisoned in her flat, Olga circulates repeatedly through a montage of ever-increasing horrors, mirroring perfectly her sense of being trapped inside her own sick mind.
This is a brave and surprising novel with many layers. While disturbing and grim at times it is also refreshingly frank and full of character. Here’s a flavour:

“When the children were at school, I lay down on the sofa, got up, sat down again, watched TV. But there was no program that could make me forget myself. At night I wandered through the house, and I soon ended up watching the channels where women, above all women, tossed in their beds like wagtails on the branch of a tree. They simpered indecently behind the superimposed telephone numbers, behind captions that promised lavish pleasures. Or they made coy, teasing remarks in sugary voices as they writhed. I looked at them wondering if Mario’s whore was like that, the dream or nightmare of a pornographer, and if, during the fifteen years we had spent together, he had secretly longed for this, just this, and I hadn’t understood. So I became angry first with myself, then with him, until I started crying, as if the ladies of the television night, continuously, exasperatingly, touching their giant breasts, or licking their own nipples as they wiggled in faked excitement, made a spectacle that could sadden one to tears.”

Elena Ferrante is also the author of the epic Neapolitan trilogy – My Brilliant Friend, The Story of a New Name, and Those Who Leave & Those Who Stay – which are now definitely on my ‘to read’ list.



I’d set myself a deadline to finish this in time for Truck Festival last Friday and I just managed it! It looks better with shorts but I’m afraid modesty got the better of me here.
Lapsang crop

Lapsang is a design by Lisa Richardson in Rowan’s Tetra Cotton – new for this season (look at me being all current!). I hasten to add that I started knitting this before it appeared in S*mply Kn*tting ha ha! Slightly embarrassing that, but never mind.Lapsang

The design features an all-over openwork pattern which you might expect to be boringly repetitive, but for me it had a relaxing, enjoyable rhythm. That said, the sleeves did threaten to go on forever, and I realised as I shaped the raglan on the first one that they would in fact be way too long, so I ripped back and shortened by about 8cm. Which is quite a lot! So, there’s something I never knew about myself – it seems I have freakishly short arms!

DSC_0023Being a small size 8 I was worried that the neck would be too wide, and I wanted a less baggy shape in any case, so I knitted this on a smaller needle than specified, dropping from a 4mm to a 3.5mm. Even so, the neck on my finished sweater was still way too big and it slipped off my shoulders. Luckily I found a solution, which was to run a thread through the cast-off stitches. My neckline is now held perfectly in place, but still with a nice amount of slouch.

As you can see, I also left the ribbing at the bottom open, which I think gives a more relaxed fit. I’ve never liked tight welts – guaranteed to make you look paunchy!

DSC_0015Tetra Cotton is an interesting chainette yarn with thicker sections of extra colour, creating a lovely, rustic texture, although it’s soft to the touch. And as for Truck Festival, my finished Lapsang served its purpose perfectly, ensuring I was neither too hot nor too cool as I braved the English summer and enjoyed bands such as Darwin Deez, Bo Ningen, Peter Hook & The Light and The Charlatans.

Lapsang is ravelled here.

All In A Good Cause

Our latest issue features a charity campaign on behalf of the RNIB, (the Royal National Institute of Blind People), and it’s such a fun idea I couldn’t help but get involved. Free with this month’s mag is the yarn and pattern for an oh-so-cute bumblebee hat, which we’ve christened the RNIBee beanie. As if it needed to look any cuter, here it is being modelled by the cheeky-looking nephew of Liz, our promotions officer.

bee boy

Readers are invited to send their finished hats to the RNIB who will sell them for £4 each. If you can’t bear to part with your knitted hat you can still contribute to the fundraising as it’s easy to make a donation on the charity’s website.

The pattern was designed by one of our regular contributors, Lucinda Ganderton, who was delighted to be involved with this worthy cause and generously donated her design fee to the charity.

bee beanie by me

Here’s my finished hat, all ready to send off. I must admit I found those antennae a little tricky! Mine don’t stand up as beautifully neatly as the ones on Lucinda’s original, but never mind – despite the poor finishing the cute factor is still there. If you want to knit your own RNIBee beanie then the issue is on sale for another two weeks.

And the winners are…!

You may recall last month’s post about the Stylecraft Colour Competition and my exciting role in helping to pick the shortlist. If not then here’s a quick summary: Stylecraft Yarns invited the many fans of their colouful Special DK yarn to suggest a new shade to add to the already burgeoning range. Entries arrived in their droves, and last month myself and my fellow judges – three lovely, creative ladies – assembled in Yorkshire to choose our ten favourites.


I live in Essex so a visit to the Dales is a mini excursion. But as usual I’d been given some tokens to remind me of home.



And here I am with the other judges.



That’s me second from left, and next to me is Annabelle Hill, Sales Director and font of all knowledge concerning the Stylecraft brand. And on the right is Lucy, whose legendary Attic 24 blog has inspired a multitude of crochet ripple blankets in said Special DK.

On the far left is Phil, the blogger behind The Twisted Yarn and worthy winner of last year’s Deramores blog award. Her blog is a witty account of her creative life, in between raising twin boys (the ‘Toddler Twinnage’) and working as a clinical psychologist. She’s a prolific and highly individual knitter, and shortly before judging day had challenged herself to design and knit a skirt for the occasion. Of course, knitting invariably takes far longer than expected, (basically it just takes a bleedin’ long time) and poor Phil was still working the final rounds over breakfast that morning! But with final finishing touches made in the car park before we went in, the skirt was done and ready for its debut. I think you’ll agree it’s a splendid piece of work!

I wrote about the amazing entries and how we made our choices in this post here, but now the moment has come when I can finally unveil the shortlist!

Cypress (17-6319)
Duck Egg (14-4807)
Duck Egg
Empire (17-4540)
Fushia Purple (18-2336)
Fuchsia Purple
Grass green (15-0545)
Grass green
Kelly Green (16-6138)
Kelly Green
Lobelia (18-3833)
Mustard (15-0850)
Pistachio (13-0532

You can vote for your favourite on the Stylecraft Facebook page, and the winning shade will be launched at the London Knitting & Stitching Show. I can’t wait to see which one it is!

Victory Sweater

Sarah's jumper close-upKeen-eyed observers who saw my last post may have spotted a finished object which I haven’t yet mentioned. Yes, I finished my Victory Sweater in time to wear it proudly on Yarn Shop Day. (Actually I was very glad to wear it as the day was chilly!) I must admit I’m delighted with how it’s turned out. It fits like a glove (a well-knitted glove of course) and the yarn (Blacker Swan Falkland’s Merino) is an absolute delight to wear against the skin. I had hoped to take some better photos in time for this post but having failed I’m making do with some selfies I took in the loo at work. You get the idea! Sarah's jumper cropped

Not being blessed with the 1940s siren style assets needed to rock an ultra-fitted vintage sweater I heavily modded the original pattern from 1945. I began with a wider welt and a shallower rib, thereby losing the need for the dramatic bust increases of the original. In fact my version has no waist shaping whatsoever. Instead I took advantage of the stretchy stitch pattern and opted for a minimal amount of ease which gives a figure-hugging shape without being clingy.

The most challenging part of rewriting this pattern was calculating the sleeve tops. To get your head around the science of sleeve tops – or armscye as I discovered they’re correctly called – takes a lot of brain power. It involves trigonometry! Looking at the sleeve heads above, nestled neatly into position in the armhole of my sweater, you might wonder what could be difficult, but believe me, visualising the correct shape for those decreases on a piece of flat knitting before you’ve sewn up the sides (which you can’t do until after you’ve inserted the sleeve head) is tricky. You need maths, and sometimes, as in this case, it doesn’t work out smoothly! Strictly speaking I’d made a mistake on the body, as I hadn’t created enough of a slope between the start and end of my armhole decreases, which meant that when I came to do my armscye I didn’t have enough rows for the number of decreases I needed. No way was I going to unravel the body, so I made the prudent decision to knit a couple of prototype sleeve caps to test out how to make them fit (effectively how to fudge them!) The first one was too baggy – still too many rows – so I reduced the row requirement with a thinner sleeve and a wider final cast-off, but still had to take the unconventional step of decreasing on every row. It’s not how it should be done but I think I got away with it!

Just a word about the yarn. Blacker Swan Falklands Merino is absolutely wonderful. Soft and bouncy, it’s a joy to knit with and amazingly comfortable to wear. I will definitely be knitting more sweaters in this, no question about it.

My Victory Sweater is ravelled here.

A Great Day!

So, how was Yarn Shop Day for you? Did you visit your local LYS to take advantage of fantastic bargains? Did you pick up an amazing goody bag, or learn a new skill? Did you, perchance, grab a slice of free cake? I hear the odd one may have been on offer…

I was at the very lovely Yarn On The Square in Ely, chatting with local knitters and passing on skills to the next generation.




IMG_1707Wherever you are I hope you were able to take part and enjoy the festivities. If not then there’s always next year!